Mother Supreme
With the recent restoration and re-release of Umrao Jaan (1981), Himanshi Aggarwal revisits the film from a queer lens, as Rekha’s titular character serves as an allegory for anyone forced to perform respectability in a world that denies them legitimacy.
Poetry by John Copley Alter: ‘In the proximity / of other gods—other sutras— / we muttered our creed—you // pecking / away at your manual typewriter— / carbon copies of personal letters / home—to the diaspora—we // noodling on the keyboard of happiness’