THE MENDICANT PRINCE: A Women-centric retelling of the Bhawal Sannyasi Case
In her latest work, Aruna Chakravarti revisits the early 20th century ‘mejo kumar’ story, now allowing all its characters—particularly its females—to speak in their own voices. By Saurabh Sharma
Personal Essay by Prachi Sharma: ‘My father pauses in every retelling of this tale. He wants me to see it. A man in the uniform of an Indian working for the English, in a village courtyard in the late 1920s, his face turning to one side from the force of an open palm. The villagers watching. The Daroga’s hand going to his cheek. A pigeon somewhere on the roof, taking off.’