Film/TV The Chakkar Film/TV The Chakkar

‘Bandi’; Or the Words that Redefine a Woman

When a young man calls a woman a ‘bandi’ in Made in Heaven, he casts the burden of decency upon her shoulders. Kavya Maheshwari explores how the intersection of language, power, and gender in contemporary Indian society reinforces patriarchal norms.

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Film/TV The Chakkar Film/TV The Chakkar

The Trap of the Comfort Watch

In times of stress and anxiety, why do many of us choose the familiarity of a ‘comfort watch’—of familiar shows, plotlines, and characters? Raj Darji explores a sense of loss among abundance.

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Film/TV The Chakkar Film/TV The Chakkar

The Man Who Remembers

Jaideep Ahlawat again portrays Hathi Ram Chaudhary in the second season of Paatal Lok, the haggard cop whose memory serves both as a crime-solving device and as moral code to leave no life unforgotten. By Karan Madhok

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Film/TV The Chakkar Film/TV The Chakkar

A city translated through the languages of love

Modern Love (Mumbai)’s greatest realization lies in the offering of the city’s palette: an architectural marvel in the Sea Link, an underlying bedrock in Thane, a warm enclosure in cutting chai. The city is steeped in the love its characters exude towards themselves and others. By Raunaq Saraswat

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Theatre The Chakkar Theatre The Chakkar

Chennai is Joking Around

“There will be laughter every minute.” From Kalaivanar to Improv, theatre to film, satire to stand-up, Padmaja Jayaraman reveals a brief history of comedy in Chennai.

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