The many dichotomies of ALL WE IMAGINE AS LIGHT
Age and youth, love found and love lost, a city of excess and a city of scarcity—Sarthak Parashar examines the many contrasts balanced by Payal Kapadia in the acclaimed All We Imagine As Light (2024).
Welcome to ‘Nation of Auteurs’, a series composed of critical essays by academics, filmmakers, historians, and cinephiles, to examine the deep diversity of Indian film auteurs and illuminate the country’s wider cinematic landscape. By Ashish Dwivedi
Poetry by Sutputra Radheye: ‘my poems will be drunk, truthful / and blunt like your beauty that cuts / through my skin and draws graffiti / on my bones like tattoos’
Age and youth, love found and love lost, a city of excess and a city of scarcity—Sarthak Parashar examines the many contrasts balanced by Payal Kapadia in the acclaimed All We Imagine As Light (2024).
In a recent visit to Ladakh, Navjot Khosla aims for a gaze beyond the touristy cliches, to be transformed instead by the sustainable models of growth, natural preservation, and the cultural heritage of the bioregion. By Navtoj Khosla