0
Skip to Content
The Chakkar
Home
Literature
Music
Film/TV
Art
Theatre
Sports/Outdoor
Creativity
Photography
LLAF
Miscellaneous
Editorial
What's The Chakkar?
Student's Corner
Submit/Contact
Search
Landour Literature and Arts Festival
About Us
The Chakkar
Home
Literature
Music
Film/TV
Art
Theatre
Sports/Outdoor
Creativity
Photography
LLAF
Miscellaneous
Editorial
What's The Chakkar?
Student's Corner
Submit/Contact
Search
Landour Literature and Arts Festival
About Us
Home
Folder: Categories
Back
Literature
Music
Film/TV
Art
Theatre
Sports/Outdoor
Creativity
Photography
LLAF
Miscellaneous
Editorial
What's The Chakkar?
Student's Corner
Submit/Contact
Search
Landour Literature and Arts Festival
About Us
The Chakkar - Indian Arts Review
Surrealistic Icarus: Gopal Lahiri’s SELECTED POEMS
Apr 25, 2026
Surrealistic Icarus: Gopal Lahiri’s SELECTED POEMS
Apr 25, 2026
Apr 25, 2026
Photo-Essay: The Frequencies of History
Apr 22, 2026
Photo-Essay: The Frequencies of History
Apr 22, 2026
Apr 22, 2026
The Sacred and the Starved
Apr 19, 2026
The Sacred and the Starved
Apr 19, 2026
Apr 19, 2026
Her Favourite Colour: How a ‘small’ incident in THAPPAD reveals the complex roots of Indian marriage and patriarchy
Film/TV The Chakkar 16/03/20 Film/TV The Chakkar 16/03/20

Her Favourite Colour: How a ‘small’ incident in THAPPAD reveals the complex roots of Indian marriage and patriarchy

Anubhav Sinha’s Thappad (2020) raises questions on our conditioning and deeply-ingrained patriarchy, reminding us that abuse in a relationship comes in all forms—physical, emotional, blind to class or caste. Review by Nidhi Choksi Dhakan.

Read More
More Articles
More Articles
All images, unless stated otherwise, © The Chakkar