Mother Supreme
With the recent restoration and re-release of Umrao Jaan (1981), Himanshi Aggarwal revisits the film from a queer lens, as Rekha’s titular character serves as an allegory for anyone forced to perform respectability in a world that denies them legitimacy.
Poetry by Saoirse: ‘let us build a night on the marble edifice / of silence. Spread freshly laundered sheets / over the freckled sky and light / the twin candles of our bodies.’