The Grand Cinema of Taking Offense
Considering the polarizing socio-political climate in the country, Sneha Bengani examines censorship and outrage in Hindi cinema, and the consequences of heightened intolerance towards this democratic, transformative medium.
Stranger Lives: AJEEB DAASTAANS—four uneven short films on life, love, and intersectionality
The four short films in Netflix’s Ajeeb Daastaans—far removed in theme and setting—are bound together by their ability to shock. And it’s Neeraj Ghaywan’s beautifully-crafted Geeli Pucchi that elevates the uneven anthology. By Harshita Murarka
Personal Essay by Devanshi: ‘Your favourite movie is probably not your favourite movie because it was the best film you have ever seen. It is your favourite because Zee Cinema played it a zillion times in the summer of 2014 while your mother folded clothes in the next room, and you unconsciously absorbed its dialogues through domestic osmosis.’