In Brute Face/Home Truth (2025), Rounak Maiti presents a personal, cathartic album, with a dizzying soundscape that remains unbound by the constructs of genre. By Saptaparna Samajdar

In a detailed conversation, poet Madhu Raghavendra speaks about his literary journey, finding space for politics in his poetics, the inspiration of art and bhakti in his work, and more. By Chittajit Mitra

In the ecologically-sensitive Himalayan regions, the regularity of natural disasters and the scale of damage have increased rapidly in recent years. The two most-significant factors behind this phenomenon have been overdevelopment and climate change. By Vipin Labroo

Mehak Jamal’s Loal Kashmir (2025) is a witness, a tender archive of what it means to love in a region of conflict—how intimacy reshapes itself around checkpoints, how longing endures without signal bars, how the heart insists on ordinary joys in extraordinary times. By Shivani Patel

In Night in Delhi (2025), Ranbir Sidhu lays bare the city of shadowlands, and of lives pushed to the margins of visibility and worth, as it exists in continuum alongside the bright and aestheticized metropolis. By Anjali Chauhan

Amrita Pritam, Saadat Hasan Manto, and Kamala Das were all writers who, even in life, lived on the edge of taboo, scandal, and self-revelation. In death, stripped of agency, their voices have been reframed by the very people who claim to honour them. By Treya Sinha

Photos: Speakers and artists from the hillside and beyond attended the first edition of the LLAF in Landour to shine a light upon literature, history, art, music, poetry, film, and more. By Karan Madhok

Amrita Pritam, Saadat Hasan Manto, and Kamala Das were all writers who, even in life, lived on the edge of taboo, scandal, and self-revelation. In death, stripped of agency, their voices have been reframed by the very people who claim to honour them. By Treya Sinha

From Coldplay’s misguided “Hymn for the Weekend” to Ed Sheeran’s collaborative “Sapphire,” Akankshya Abismruta celebrates a new kind of cultural synthesis between the West and the East.

Poetry by Prashant Pundir: ‘You are who I love, handmaking woolens, handmaking hope, handmaking this life, you who, with your tiny legs, walk to all the medicine stores and dog shelters and government buildings, saying: I REFUSE TO SPEAK A LANGUAGE PIROUETTED IN HATE AND ANGER’

Editorial: With the intention of promoting the arts borne and inspired from Landour, Mussoorie, and the Garhwal region, The Chakkar and the Mussoorie Heritage Centre [MHC] are launching the Landour Literature & Arts Festival. The first edition of LLAF will shine a light upon history, literature, art, music, poetry, film, and more. By Karan Madhok

Poetry by Goirick Brahmachari: ‘Love is like the wild lilacs, white / Apple trees over green meadows, / Riverstones I have walked over / For years— splattered, irate, broken.’