Mehak Jamal’s Loal Kashmir (2025) is a witness, a tender archive of what it means to love in a region of conflict—how intimacy reshapes itself around checkpoints, how longing endures without signal bars, how the heart insists on ordinary joys in extraordinary times. By Shivani Patel

Photo Essay by Abin Chakraborty: ‘Kolkata is a kaleidoscope: turn your gaze and a new pattern will emerge. What you wish to see is therefore a combination of what you want to see and what your gaze is capable of perceiving.’

Short story by Asha Jyothi: ‘I don’t know what in the world I was thinking, but I look directly at him, and he holds my gaze, and looks at my naked teeth. “Pyar kiya, koi chori nahi ki.” I have loved, not committed a theft.’