In the Second RAAT AKELI HAI, the Genre Reaches its Saturation Point
The crimes are bigger and bloodier in Raat Akeli Hai: The Bansal Murders, and the motives even messier; but at its core, the film is a hollow reproduction of its genre predecessors, a familiar formula traced into an inferior product. By Karan Madhok
Good Cop / Good Cop
Delhi Crime is a breath of fresh air in its realistic portrayal of police investigation and the heroism of intelligent, emphatic cops. But the crime drama leaves a stunning blind spot about the brutalities, corruption, and systematic failures of the Delhi Police itself. By Karan Madhok