Set against the landslide-prone terrain of Kinnaur, plagued by environmental collapse and infrastructural neglect, the short film Tenfa (2026) provides a vision of hope through memory, ecology, and community. By Sohini Sengupta
Propaganda films force upon us the grand question, writes Sanjay Basak: Are we loudly applauding the breathtaking production on screen, or are we quietly absorbing the idea that someone, somewhere, deserves to be feared, hated, or erased?
When it comes to social realist fiction, there is a fine line between giving voice to the voiceless and speaking on their behalf. Areeb Ahmad analyses literature by Puja Changoiwala and Deepa Anappara to examine how the genre manifests itself in recent Indian novels in English.
Short story by Vishnu Bagdawala: ‘Sometimes, I would lie in bed waiting for the tears to come. Sometimes, I would wonder how it was strange that we needed to sleep in order to be awake for the rest of our lives. Until the day when, like my grandfather, we fall into an eternal sleep.’