The Burning Embers of Petrofiction: Ilyas Ahmed Gaddi’s FIRE AREA
As long the coal remains a major player in the neo-liberal globalized world, the metaphorical and literal fires from Ilyas Ahmed Gaddi’s 1994 novel will keep burning. By Sudeshna Rana
Propaganda films force upon us the grand question, writes Sanjay Basak: Are we loudly applauding the breathtaking production on screen, or are we quietly absorbing the idea that someone, somewhere, deserves to be feared, hated, or erased?
Short story by Debi Mukherjee: “Unlike the little girls I see outside temples, draped in their pano bhaju’s stringing garlands of Marigolds, I dare not play with the flowers in our garden. Papa cautions me against the rows of Mogras, Shoe-flowers, Frangipanis and a multitude of others. He says that I must not be lured by a flower’s fragrance.”
As long the coal remains a major player in the neo-liberal globalized world, the metaphorical and literal fires from Ilyas Ahmed Gaddi’s 1994 novel will keep burning. By Sudeshna Rana
Set against the landslide-prone terrain of Kinnaur, plagued by environmental collapse and infrastructural neglect, the short film Tenfa (2026) provides a vision of hope through memory, ecology, and community. By Sohini Sengupta