Welcome to ‘Nation of Auteurs’, a series composed of critical essays by academics, filmmakers, historians, and cinephiles, to examine the deep diversity of Indian film auteurs and illuminate the country’s wider cinematic landscape. By Ashish Dwivedi
Poetry by Sutputra Radheye: ‘my poems will be drunk, truthful / and blunt like your beauty that cuts / through my skin and draws graffiti / on my bones like tattoos’
The crimes are bigger and bloodier in Raat Akeli Hai: The Bansal Murders, and the motives even messier; but at its core, the film is a hollow reproduction of its genre predecessors, a familiar formula traced into an inferior product. By Karan Madhok
In a recent visit to Ladakh, Navjot Khosla aims for a gaze beyond the touristy cliches, to be transformed instead by the sustainable models of growth, natural preservation, and the cultural heritage of the bioregion. By Navtoj Khosla