Vivek Shanbag’s novel Sakina’s Kiss (2013) features a protagonist obsessed with possession, uncomfortable in the evolving role of his masculinity, searching for meaning in a life where every answer presents a series of more confounding questions. By Karan Madhok

From Wake Up Sid and Rockstar to Yeh Jawaani Hai Deewani and Tamasha, Ranbir Kapoor became the poster boy of young men coming-of-age into his identity. Ananya argues, however, that the the true catalysts of these metamorphoses were always his female leads.  

Contemporary OTT narratives like Panchayat and Nirmal Pathak Ki Ghar Wapsi are revisiting the rural through the lens of an urban outsider, in an evocation of Sri Lal Shukla’s acclaimed 1968 novel Raag Darbari. By Ananya

Personal Essay by Karan Madhok: ‘My mother handed me the postcard… I couldn’t believe my eyes…Tendulkar had written to me, addressed me by my first name, acknowledged my whole existence with a single thick piece of rectangular paper.’

Acclaimed Tamil author (most-recently of Resolve) Perumal Murugan spoke about satire and literature, about men and women, and about being ‘controversy’s favourite child’. By Medha Dutta Yadav

In his review of Sridala Swami’s collection Run for the Shadows (2021), Saurabh Sharma celebrates a poet whose ‘craft is like a prism, from which white light disperses into colourful bands’

Head of design at Penguin Random House India Ahlawat Gunjan discusses the art of book covers, the collaboration of literature and design, of sales and inspiration, and the magic process making it all come together. By Varud Gupta

‘Theatre is a collaborative art form. It has that mongrel quality. We take from everyone, and finding community is key.’ Greeny Francis discusses her calling towards the theatrical arts, crafting immersive and experiential theatre, and stories from the production process. By Varud Gupta

‘Storytelling allows us to explore how we can discuss who we were and could be, through narratives.’ – Lakshya Datta on writing love stories for audio narratives in India and the art and business behind creating a podcast. By Varud Gupta

‘Artists are creating history the second time around.’ Curator and educator Shaleen Wadhwana discusses the intersection of art and history, curation in post-pandemic India, the NFT boom, and much more. By Varud Gupta

The OTT vs. theatre competition isn’t a challenge, but a delightful opportunity, writes Sanchit Gupta. We can have the best of both worlds: both the mediums need equal space to grow where different films with different objectives can find their home.

The diversity of Hindi-language web series over the calendar year was truly remarkable, featuring shows that thrilled, entertained, and pushed forward Indian storytelling more than ever before. From Paatal Lok to Aarya, and Scam 1992 to Panchaayat and beyond, Jamie Alter picks ten of the very best.