The Girl who was a Graveyard
Flash Fiction by Zalma A.: ‘She knew there was another possibility. Surrender. Or submit. Yes, submit. It’s a more positive word. Optimism. In tragedy.’
Poetry by Sindhuri Rao: ‘Keep everything you bought here— / your eager dreams, / hanging garments, / obedient smiles, / unpressed rages, too. / “Be our guest.”’
In a detailed interview, Karan Mahajan spoke about exploring the uneven spaces between love and lust in the characters of The Complex, the prism-like perspectives of an extended Indian family, and how Delhi inspires his literary work. By Karan Madhok
Flash Fiction by Zalma A.: ‘She knew there was another possibility. Surrender. Or submit. Yes, submit. It’s a more positive word. Optimism. In tragedy.’
With brutal carnage presented with celebratory beats, Dhurandhar: The Revenge pushes viewers towards a stony insensitivity, creating a sense of heightened tempo and exhilaration without moral recoil. By Abin Chakraborty