Sita and Draupadi: The Unmaking and Remaking of India’s Mythological Heroines
In the comparisons between Sita and Draupadi, Urmi Bhattacheryya argues how the trope of ‘the other woman’ has hurt feminism in Indian mythology.
Poetry by Sutputra Radheye: ‘my poems will be drunk, truthful / and blunt like your beauty that cuts / through my skin and draws graffiti / on my bones like tattoos’
Partition is not so much a mere plot device in Imtiaz Ali’s Main Waapas Aaunga, but a ghost that continues to haunt the people who survived it—in memories and regrets. By Deepansh Duggal
In the comparisons between Sita and Draupadi, Urmi Bhattacheryya argues how the trope of ‘the other woman’ has hurt feminism in Indian mythology.
Personal Essay by Devanshi: ‘Your favourite movie is probably not your favourite movie because it was the best film you have ever seen. It is your favourite because Zee Cinema played it a zillion times in the summer of 2014 while your mother folded clothes in the next room, and you unconsciously absorbed its dialogues through domestic osmosis.’