Survival is an act of defiance
In Abhishek Anicca’s memoir The Grammar of my Body (2023), the protagonist is a disabled body, charting its terrain through the unforgiving, able-bodied world. By Priyanka Chakrabarty
The Performance of Trauma in Fiction
Priyanka Chakrabarty dives into examples of contemporary South Asian literature to explore the blurred line between trauma and ‘trauma porn’. Can fiction account for lived experiences and realities of trauma without making the plot performative?
Propaganda films force upon us the grand question, writes Sanjay Basak: Are we loudly applauding the breathtaking production on screen, or are we quietly absorbing the idea that someone, somewhere, deserves to be feared, hated, or erased?