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The Chakkar - Indian Arts Review
Sanctuary: Abstractions in Prose
15 September 2026
Sanctuary: Abstractions in Prose
15 September 2026

Creative Nonfiction by Shobhita Rewal: ‘Rotund Japanese purple enlarged. A plushie abandoned. Soot-stained lips float past. Saliva upon the metal in the skin. Chivalry ain’t dead yet, innit? Plebians need the masala but give this to me anyway.’

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15 September 2026
First Snow
12 September 2026
First Snow
12 September 2026

Short story by Karan Madhok: “Now, Lady, Miss: Please take the flowers and lean into your husband, like this, as if you are falling into him. Just a little. That’s why in English they say, ‘falling’ in love, no? Bas, gir jao unpar!”

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12 September 2026
Name Game
9 September 2026
Name Game
9 September 2026

What’s in a name? India has a long history of rebranding cities, streets, and buildings to reflect the political influence of the time. Instead of this empty tokenism, Vipin Labroo argues for the country to shift priorities towards its more pressing concerns.

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9 September 2026
Bol! Ye thoda waqt bahut hai</em>: Finding timeless poetry on the contemporary screen
Film/TV The Chakkar 27/07/20 Film/TV The Chakkar 27/07/20

Bol! Ye thoda waqt bahut hai: Finding timeless poetry on the contemporary screen

The soundtracks of several contemporary Indian films and shows have become an unlikely source of poetry. Srikanth M.V. discovers the relief that this poetry can provide in turbulent times.

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Student's Corner: Back to Wasseypur
Student's Corner, Film/TV The Chakkar 08/06/20 Student's Corner, Film/TV The Chakkar 08/06/20

Student's Corner: Back to Wasseypur

In a deconstruction of Anurag Kashyap’s Gangs of Wasseypur (2012), Ishan Mukherjee revisits the history, soundtrack, and the work of an inspired auteur director that truly made this saga a cinematic classic.

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The Decade in Hindi Cinema
Film/TV The Chakkar 06/01/20 Film/TV The Chakkar 06/01/20

The Decade in Hindi Cinema

Presenting: The Chakkar’s Top 10 favourite Hindi films of the 2010s - by Karan Madhok and Prateek Santram

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