The Revolution Will Be Commodified: Gyan Chaturvedi’s THE MADHOUSE
In a world filled with abstractions, the greatest clarity in Gyan Chaturvedi’s The Madhouse (Pagalkhana) comes from the protagonist’s never-ending pursuit for escape: an escape from the Bazaar, from the dependence on commodification, from being commodified themselves. By Karan Madhok
‘To exist fully as an artist and human, one must be seen, heard, read, and acknowledged’: Farah Ahamed explores Satyajit Ray’s Charulata through the lens of Simone de Beauvoir.