Ranjit Hoskote’s Shimmering Lights
At the core of Ranjit Hoskote’s latest poetry collection Icelight is a restlessness, a searching presented as a series of inward questions which never quite find their resolve; they keep going until the question itself becomes the endgame. By Vinita Agrawal
A Bombay That Demands More
Tejaswini Apte-Rahm’s The Secret of More (2022) tells a provocative tale of urbanization in early 20th-century Bombay. By Akankshya Abismruta
A Synthesis of Physics and Poetry
Linda Ashok’s Sharpless 29 is a collection that marries precise scientific theories to metaphors of both mundane and extraordinary human questions, all interspersed with witty and rich poetic ornaments. By Nivedita Dey
Mightier than the Bullet: The Writings of Julio Riberio
In Hope for Sanity, a collection of columns filled with nuggets of wisdom, empathy, and advice, decorated former policeman Julio Riberio emerges as a “conscience keeper” for our nation. By Karan Madhok
Revolution on the Airwaves: An Account of India’s Tumultuous Radio History
In Radio for the Millions: Hindi-Urdu Broadcasting Across Borders, Isabel Huacuja Alonso demonstrates how radio created transnational communities of listeners and broadcasters, who defied colonial and postcolonial governments’ stranglehold over the medium and maneuvered it for their own purposes. By Sohel Sarkar
Comings and Goings: On the beauty of Amitabha Bagchi’s HALF THE NIGHT IS GONE
Sakshi Nadkarni on Amitabha Bagchi’s Half the Night is Gone (2018), a tale of stories withing stories, both dense and sparse, a glimpse across many Delhis, a meditation on sorrow, fatherhood, self-reflection, and literature itself.
THE MENDICANT PRINCE: A Women-centric retelling of the Bhawal Sannyasi Case
In her latest work, Aruna Chakravarti revisits the early 20th century ‘mejo kumar’ story, now allowing all its characters—particularly its females—to speak in their own voices. By Saurabh Sharma
A Civilization and its Stories: Salman Rushdie’s VICTORY CITY
In his latest work, Salman Rushdie expertly flirts with the line between fact and fiction, declaring all living beings—including those reading his book—may be ‘characters’ in a grander historical fiction. When nothing is real, stories are the only reality. By Karan Madhok
SHADOW CITY and ORIENTING: On the Road with Two Indian Women Across Asia
Two recent travel books by Indian women—Taran N. Khan’s Shadow City and Pallavi Aiyar’s Orienting—bring a unique, gendered perspective to the social and cultural complexities of expat life in Afghanistan and Japan. By Nileena Sunil
The Undying Muse: Nivedita Dey’s LARKSPUR LANE
Whimsical and wise, reflective and poignant, Nivedita Dey poems are a contrast to the gloomy poetry of our age, even while delving into the darkest recesses. She passionately declares space for poetry’s possibilities and promises. By Dustin Pickering
A Poetic Clarion Call to the Feminine Presence—Nabina Das’ ‘Anima’
In a series of poignant poems from Anima: & the Narrative Limits, Nabina Das personifies the feminine energy of ‘Anima’—as she tells stories, observes the social fabric of humanity, poses questions to history, and explains the world through her perspective. By Karan Madhok
Literary Reflections: Stories from India and Pakistan in THE OTHER IN THE MIRROR
Seventy-five years after the subcontinent was lacerated and partitioned, the anthology The Other in The Mirror attempts to bind the fractured reflections of Indians and Pakistanis, using the balm of literature. By Karan Madhok