Music as Still Life: Sameer Rahat’s poetic solo debut Aamad
Urdu singer-songwriter Sameer Rahat’s debut solo album AAMAD is quiet as the eye of a hurricane, rich in poetic depth and deeply-personal energy. A track-by-track review by The Blue Magpie
What’s in a name? India has a long history of rebranding cities, streets, and buildings to reflect the political influence of the time. Instead of this empty tokenism, Vipin Labroo argues for the country to shift priorities towards its more pressing concerns.
Photo series by Vijay Kowshik V P: Parallel Indias is about proximity without connection, a study of coexistence without recognition. These are images of adjacency, lives, symbols, and bodies, all occupying the same space, often within the same frame, without ever meeting.
Urdu singer-songwriter Sameer Rahat’s debut solo album AAMAD is quiet as the eye of a hurricane, rich in poetic depth and deeply-personal energy. A track-by-track review by The Blue Magpie
Short story by Karan Madhok: “Now, Lady, Miss: Please take the flowers and lean into your husband, like this, as if you are falling into him. Just a little. That’s why in English they say, ‘falling’ in love, no? Bas, gir jao unpar!”