We Imagine Angels: Two Poems by John Copley Alter

Photo: Karan Madhok

‘In the proximity / of other gods—other sutras— / we muttered our creed—you // pecking / away at your manual typewriter— / carbon copies of personal letters / home—to the diaspora—we // noodling on the keyboard of happiness’

- John Copley Alter

I grew up with clergymen

 

& professors.

Was it toxic?

My mother taught me some measure of

devotion.

They sat in their office smoking a pipe

& avoiding the matter of Mary,

her gospel,

mariolatry a dissertation topic.

 

My mother taught me some measure of

devotion.

They sat in their office smoking a pipe

pecking

their typewriter,

 

mariolatry a dissertation topic.

You grow

up that

way, with

 

clergymen undoing

their collar

and my mother’s

devotion.

 

I grew up with clergymen

 

~

 

gathered on their travels—or napping

I grew up with clergymen—

devotion my mother’s domain—we

eavesdropped on Krishna’s flute—nowhere

 

than here—now—today

 

I grew up with clergymen

 

~

 

pecking

at their typewriter, pipe smoke wreathing

writing up the

minutes of some synod

 

I grew up with clergymen

the ghost of one

shows up asking

what happened anyhow

 

than here—now—today

there is no other

revelation.  Late afternoon

sunlight—leaves lapping it

 

all

up

 

~

 

pecking

at their typewriter, pipe smoke wreathing

the shelves of liberation theology they

gathered on their travels—or napping

 

I grew up with clergymen

up—the direction you aspired to

up the steps to the pulpit—

up yours buddy! His typewriter chattering.

 

I grew up with clergymen

who gathered in smoky halls to

hammer out the liturgy for their

new church—all night sessions of

 

post/pentecostal deliberation—I listened to them

beyond

my mother’s lullaby.  We settled down

 

~

 

up the steps to the pulpit—

up yours buddy!  His typewriter chattering—

heavy mother manual. We ascend

the steps of Jacob’s Ladder, absorbing

 

my mother’s lullaby. We settled down

at last. In the proximity

of other gods—other sutras—

we muttered our creed—you

 

pecking

away at your manual typewriter—

carbon copies of personal letters

home—to the diaspora—we

 

noodling on the keyboard of happiness—

improvised hymns to a god other

than here—now—today

 

* 


the banyan tree/oak

            —for jhaffur khan azad darakth,

                                    an echo

 

and crawling below, amidst rootage

and organic litter

we seek the flow and ebb, we grow

and falter.

 

In the compost of languages—

tides carry us—say then

 

Earth, earthy now more than

earthen day

 

Rumi’s flute—a shard of

Kabir’s pottery—look—over here!—footprints

of the dancer dancing

 

even as we pull  apart, earth’s clay

grounds us.

 

your ghazal comes here—it

is welcome where once what

was indigenous—danced—where music

 

will save us

poor infidels

 

~

 

Rumi’s flute—a shard of

Kabir’s pottery—look—footprints—

bright-ankled Ganges—Gambia—

Housatonic—Sutlej—Beas

 

poor infidels

we come to the shore of

this land—& know it only

a little (words crawl through white

 

wash unless there is music)

 

and crawling below, amidst rootage

a compost of languages—the flute-

player summoning out of the bashful

archives—the troubadors—whose

mycelia manage

 

to speak with the deodar—the

baobab—red maple—the banyan tree

 

oak

 

~

 

poor infidels

we come to the shore of

a promised land—in our minds only

perhaps—& find wilderness—

 

maples singing

 

hallelujah

swing low—dazzled by sunlight—by

clover—by the full moon in an

empty sky—we imagine angels—then

 

and crawling below, amidst rootage

where star dust has been—in

a compost of languages—the troubador

the dervish—Rumi and Kabir—are

                                   

singing

the hallelujah chorus—songbirds

migrating

 

here—it is spring again—blossom

time

 

~

 

wash unless there is music

the elephant will not—rock music—

the bright-ankled Ganges—a duet—out

of the bashful archives—the great

 

oak.

Cacophony.  How the troubadors’ mycelia have

found you out.  You know—the

jamboree of trees.  You pick up

 

Rumi’s flute—a shard of

the pottery Kabir brooded over—a

leaf from the great oak—and

 

make such music the gazelle joins

the elephant again—such a meadow

 

of music—bees deliriously buzzing—

hallelujah

*** 


John Copley Alter was born in Landour in August 1947 and studied and taught at the Woodstock School. Currently, he is retired and lives with his wife in Shanghai.

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