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The Chakkar - Indian Arts Review
‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late
24 October 2026
‘Main Waapas Aaunga’ and the Cruelty of Returning Too Late
24 October 2026

Partition is not so much a mere plot device in Imtiaz Ali’s Main Waapas Aaunga, but a ghost that continues to haunt the people who survived it—in memories and regrets. By Deepansh Duggal

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24 October 2026
Judging the Cover: An interview with award-winning book designer Bena Sareen
21 October 2026
Judging the Cover: An interview with award-winning book designer Bena Sareen
21 October 2026

Bena Sareen, winner of the Oxford Bookstore Book Cover Prize, speaks about her latest honour and the “huge responsibility” of designing a memorable literary cover. By Chittajit Mitra

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21 October 2026
The Fraught Relationship Between Reality and Spectacle in Telugu Cinema
18 October 2026
The Fraught Relationship Between Reality and Spectacle in Telugu Cinema
18 October 2026

The problematic representation of women in many recent Telugu blockbusters like Peddi and the Pushpa films have stoked controversy. When mainstream commercial cinema consistently turns the sexualisation of women into entertainment, who should be responsible for the world these images help create? By Sumithra Prasanna

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18 October 2026
Lyrical Cacophony: Sexuality and Objectification in Bollywood’s ‘Item Numbers’
Film/TV, Music The Chakkar 28/06/20 Film/TV, Music The Chakkar 28/06/20

Lyrical Cacophony: Sexuality and Objectification in Bollywood’s ‘Item Numbers’

While the discourse around the ‘item songs’ in Bollywood films usually revolves around the sexually explicit videos, Ankur Choudhary argues that the bigger issue to be tackled is the lyrical content that leans towards the objectification of women.

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